{"id":265,"date":"2015-05-22T22:43:12","date_gmt":"2015-05-22T22:43:12","guid":{"rendered":"http:\/\/gabrielspera.com\/the-first-circle\/?p=265"},"modified":"2024-03-15T04:40:28","modified_gmt":"2024-03-15T04:40:28","slug":"the-fine-print","status":"publish","type":"post","link":"https:\/\/gabrielspera.com\/the-first-circle\/?p=265","title":{"rendered":"The Fine Print"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\">George Bradley: Terms to be Met<\/h2>\n\n\n<p>I\u2019m not dead\u2014just busy. But I happened to steal a few minutes this past weekend to pop into a used bookstore (that is, the books are used. I presume the bookstore is, too) where I chanced upon a copy of George Bradley\u2019s <i><a href=\"https:\/\/amzn.to\/43kNsbD\">Terms to Be Met,<\/a><\/i> which won the 1986 Yale Younger Poets Series, selected by James Merrill. I know I\u2019ve encountered Bradley\u2019s work in the past. Certainly, the titles of some of his books ring a bell\u2014<i><a href=\"https:\/\/amzn.to\/43eLo5f\">The Fire Fetched Down<\/a><\/i> and <i><a href=\"https:\/\/amzn.to\/3ThgwMO\">Of the Knowledge of Good and Evil<\/a><\/i>\u2014but I don\u2019t recall any specific poems. My loss, because these are wonderful poems. In some ways, they are emblematic of the mid 80s, combining something of a world-weariness with a wry wit. They also bridge the gap between the confessional and formalist modes, with an easy, colloquial delivery that often masks an astute structural underpinning. The first poem, \u201cIn Suspense,\u201d is a fine example. The poem is occasioned by a trip across the Verrazano bridge. The language itself is soaring\u2014no aversion to multisyllabic words here\u2014though the tone conveys a slightly bemused self-effacement:<\/p>\n<div class=\"poem\">&#8230;We hadn\u2019t been paying attention<br \/>\nTo much besides a perception of ourselves<br \/>\nAs puny and audacious, caught in a monumental<br \/>\nUndertaking&#8230;<\/div>\n<p>The form is itself the \u201cmonumental undertaking,\u201d structurally symmetrical as the bridge itself. The end-words of the first 13 lines become the end-words for the final 13, though played in reverse. The middle (14th) line ends in the word \u201csummit.\u201d I\u2019ve discussed poems like this before (and have even written some), but this is among the earliest instances I\u2019ve encountered. In this way, Bradley is somewhat of a harbinger for the later school of \u201cneo-formalists,\u201d who did not simply revive traditional forms but sought (seek?) to create new forms, to bridge the river between medium and message. Bradley even dapples in concrete poetry. \u201cLife as We Know It\u201d is shaped like a circle on the page\u2014or more specifically, a sphere, which comes to represent not only our planet but the ideal or most efficient form of matter. \u201cThe Old Way of Telling Time\u201d assumes the shape of an hourglass. That in itself is not remarkable, but the genius in this poem lies at it\u2019s very heart, as the last word of the top part of the hourglass is broken to become also the first word of the bottom part. But wait, it gets better: the word is hyphenated\u2014and the hyphen occupies the midpoint of the hourglass. Wow.<\/p>\n<p><a href=\"https:\/\/amzn.to\/43kNsbD\" target=\"_blank\" rel=\"noopener noreferrer\"><img decoding=\"async\" class=\"alignnone\" style=\"float: right; margin-left: 20px; margin-right: 0px; margin-bottom: 10px; width: 180px; border: 1pt solid black;\" src=\"https:\/\/m.media-amazon.com\/images\/I\/41jslEFgtcL._SY445_SX342_.jpg\" alt=\"book cover\"><\/a><Also remarkable is the way Bradley weaves cosmology into his work. I don\u2019t know how much of this science had entered into pop culture (the book predates Hawking\u2019s <i><a href=\"https:\/\/amzn.to\/2KZhsmI\">A Brief History of Time<\/a><\/i>), but it\u2019s intriguing to see references to Planck time, or the ruminations on the various stages of a star\u2019s life\u2014red giants, blue giants, white dwarves, and black holes. I can\u2019t help wonder if that red, white, and blue is a coincidence, especially as they lead ineluctably toward the black hole at the end or in the center of everything. And yet, these science-inspired meditations are found alongside poems about vestiges of antiquity, of ancient cities and marvels such as Alexandria and Hagia Sofia, and bucolic destinations dotted throughout the Adriatic. It\u2019s no wonder that Merrill selected this book\u2013much of it seems an homage to Merrill himself.<\/p>\n<p>And speaking of Merrill, I was intrigued by an inscription on the title page, which seems to read, \u201cTo Priam, from James.\u201d Attached, as it is, to the \u201cForeword by James Merrill\u201d type, I can\u2019t help wondering whether I have stumbled across a book signed by Merrill. In comparing it to other signatures, there is a definite similarity, but unfortunately, no last name. I\u2019ll have to consult an expert. Regardless, I\u2019m delighted to have chanced upon <i>Terms to Be Met,<\/i> which is definitely a book to be read. Again and again.<\/p>\n<div id=\"attachment_274\" style=\"width: 284px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/gabrielspera.com\/the-first-circle\/wp-content\/uploads\/2015\/05\/flyleaf1.jpeg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-274\" class=\"size-medium wp-image-274\" src=\"https:\/\/gabrielspera.com\/the-first-circle\/wp-content\/uploads\/2015\/05\/flyleaf1-274x300.jpeg\" alt=\"The title page of my book.\" width=\"274\" height=\"300\" srcset=\"https:\/\/gabrielspera.com\/the-first-circle\/wp-content\/uploads\/2015\/05\/flyleaf1-274x300.jpeg 274w, https:\/\/gabrielspera.com\/the-first-circle\/wp-content\/uploads\/2015\/05\/flyleaf1-934x1024.jpeg 934w, https:\/\/gabrielspera.com\/the-first-circle\/wp-content\/uploads\/2015\/05\/flyleaf1.jpeg 1046w\" sizes=\"auto, (max-width: 274px) 100vw, 274px\" \/><\/a><p id=\"caption-attachment-274\" class=\"wp-caption-text\">The title page of my book.<\/p><\/div>\n<div id=\"attachment_269\" style=\"width: 310px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/gabrielspera.com\/the-first-circle\/wp-content\/uploads\/2015\/05\/merrill_signature.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-269\" class=\"size-medium wp-image-269\" src=\"https:\/\/gabrielspera.com\/the-first-circle\/wp-content\/uploads\/2015\/05\/merrill_signature-300x134.jpg\" alt=\"Merrill signature\" width=\"300\" height=\"134\" srcset=\"https:\/\/gabrielspera.com\/the-first-circle\/wp-content\/uploads\/2015\/05\/merrill_signature-300x134.jpg 300w, https:\/\/gabrielspera.com\/the-first-circle\/wp-content\/uploads\/2015\/05\/merrill_signature-500x223.jpg 500w, https:\/\/gabrielspera.com\/the-first-circle\/wp-content\/uploads\/2015\/05\/merrill_signature.jpg 536w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><p id=\"caption-attachment-269\" class=\"wp-caption-text\">Samples of Merrill&#8217;s signature from about the same time period.<\/p><\/div>","protected":false},"excerpt":{"rendered":"<p>George Bradley: Terms to be Met I\u2019m not dead\u2014just busy. But I happened to steal a few minutes this past weekend to pop into a used bookstore (that is, the books are used. I presume the bookstore is, too) where &hellip; <a href=\"https:\/\/gabrielspera.com\/the-first-circle\/?p=265\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"iawp_total_views":0,"footnotes":""},"categories":[4,7],"tags":[],"class_list":["post-265","post","type-post","status-publish","format-standard","hentry","category-poetry","category-reviews"],"_links":{"self":[{"href":"https:\/\/gabrielspera.com\/the-first-circle\/index.php?rest_route=\/wp\/v2\/posts\/265","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/gabrielspera.com\/the-first-circle\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/gabrielspera.com\/the-first-circle\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/gabrielspera.com\/the-first-circle\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/gabrielspera.com\/the-first-circle\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=265"}],"version-history":[{"count":16,"href":"https:\/\/gabrielspera.com\/the-first-circle\/index.php?rest_route=\/wp\/v2\/posts\/265\/revisions"}],"predecessor-version":[{"id":929,"href":"https:\/\/gabrielspera.com\/the-first-circle\/index.php?rest_route=\/wp\/v2\/posts\/265\/revisions\/929"}],"wp:attachment":[{"href":"https:\/\/gabrielspera.com\/the-first-circle\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=265"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/gabrielspera.com\/the-first-circle\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=265"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/gabrielspera.com\/the-first-circle\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=265"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}